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What determines logo design pricing?

Buyer's guide · 8 min read · Updated September 15, 2026

Short answer

How much does it cost to have a logo designed?

Logo pricing is set not by the drawing but by four things: how many application surfaces it is built for, how many file formats are delivered, whether a usage manual is written, and whether the rights are transferred. At Galata Media an identity project runs about six weeks and consists of three presentations; price follows the number of application surfaces.

Key takeaways

  • What you are buying is not a picture but a system: making the same mark work on signage, an app icon and an invoice is separate work in each case.
  • The line that inflates price most is not the number of revisions but the number of application surfaces — each surface is a separate layout at its own size.
  • If the transfer of source files (vector and an editable design file) is not in the contract, a small change three years later sends you back to the same designer.
  • Transferring rights and granting a licence are different things; without a transfer clause, a trademark application can run into trouble.
  • The hidden cost of a cheap logo quote is usually single-format delivery: a PNG is of no use for signage or print.

What are you actually buying in a logo price?

The easy mistake when reading a logo quote is judging the price by the drawing. What gets delivered is not one image: making the same mark recognisable at 16 pixels, legible on signage, intact in single-colour print and unbroken on a dark background is separate work in each case. Most of the price difference sits there.

The four items that set the price

  • Application surfaces

    Small scope
    Business card and social profile
    Full scope
    Signage, vehicle livery, packaging, app icon, stationery
  • File delivery

    Small scope
    PNG and JPG
    Full scope
    Vector (SVG, EPS), editable source, single-colour and reversed versions
  • Manual

    Small scope
    None
    Full scope
    Usage manual: clear space, minimum size, prohibited uses, colour codes
  • Rights

    Small scope
    A licence to use
    Full scope
    Full transfer, with a declaration fit for trademark registration

Which deliverables belong in the quote?

  • Vector source files — SVG and EPS. Without them a sign maker cannot work with the mark, and every enlargement degrades it.
  • An editable design file. "Design will be delivered" is not enough; the phrase to look for is transfer of the source design files in editable format.
  • Colour codes for print (CMYK/Pantone) and screen (HEX/RGB), separately. One HEX value does not produce the intended colour in print.
  • Single-colour and reversed versions: for stamps, engraving, fax and dark backgrounds.
  • Minimum size and clear space: how small the mark may go and how much room it needs around it.
  • Transfer of rights: a clause stating explicitly that the intellectual property in the design passes to the company.

Why does a cheap logo end up expensive?

The cost surfaces not on the first invoice but on first use. The sign maker wants vector, you have a PNG. The printer asks for Pantone, you have a HEX. The app store wants a square icon, the logo is a horizontal lockup. Each is a separate small job and all of them send you back to the same designer — usually outside the scope of the original agreement.

Frequently asked

How many revisions should I get?

Revision count is the wrong measure; the presentation structure matters more. Once three directions are shown and one is chosen, the revisions that follow stay at the detail level and their number stops mattering. A promise of unlimited revisions usually means the direction will never be settled. At Galata Media the flow is three presentations: discovery, direction, application.

Isn't an AI-generated logo enough?

Enough to produce an image, not enough for a brand mark — and the gap sharpens on the legal side. Verifying that a generated image is original and does not resemble an existing registered mark is still human work; a mark refused at registration costs far more than the generation did. Clean vectors, legibility at minimum size and a single-colour version are not in the output either.

What is the difference between a logo and a brand identity?

A logo is a mark; a brand identity is the set of decisions around it: a colour system, typography, a photographic language, layout rules and the manual that records them. In companies that buy only a logo, the typical outcome within a year is every department picking its own colour and typeface — and recognition is the work of consistency, not of the mark.

Sources

  1. 01Marka — başvuru, sınıflandırma ve işlem ücretleriTÜRKPATENT, 2026
  2. 02Ücret tarifesiTÜRKPATENT, 2026

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